In the last two posts, I alluded to the musical I’m currently working on and expect to finish within a few months. The musical adaptation of Robertson Davies’ one-act play Eros At Breakfast began almost by accident about two years ago when playwright/performer Janet Roitz mentioned the play in the course of a conversation we were having.

It turns out Janet had long been an avid fan of Davies’ work in general, and had wished for a long time to stage this play. As she described to me what it’s about, my wheels started turning almost immediately, and we both came up with the idea of adapting it.

Eros At Breakfast is a fantasy set in the solar plexus of a young man. The play envisions the various components of the human body as departments of some big bureaucracy such as the military or a big corporation. As changes seem to be on the way in this man’s otherwise unremarkable life, the various departments are affected in different ways and amusing conflicts come about.

In the preface of Four Favourite Plays, Robertson Davies describes how he got the idea for Eros At Breakfast. He remembers that at his school they used to put on what were known as “health dialogues”, which were meant to teach lessons about hygiene and good health habits.

I was impressed as a child by a health dialogue the scene of which was laid in a human stomach. Various characters appeared there, of which some were quarrelsome and harmful like Piece of Pie and Slice of Cake, and others were of a noble and uplifting nature like Fresh Vegetables and Whole-wheat Bread. The hero and heroine were handsome young Mr. Apple and Miss Glass of Milk … How delightful, I thought, to have a play going on inside somebody.

In Davies’ resulting play, the characters are Chremes and Aristophontes, the heads of the Solar Plexus and Intelligence departments, respectively, along with Parmeno, an envoy from the heart and Hepatica from the Liver. It’s a very funny play, and has just the right level of simplicity so as to lend itself to musical adaptation. Janet has written an absolutely hilarious draft adaptation. I’ll be happy if my lyrics are half as funny as Janet’s dialogue. There isn’t enough music yet for me to say much about it here, but I will discuss that soon.

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2 Responses to “Meet EROS AT BREAKFAST”

patty says:

Robertson Davies is one of my favorite authors, although I’ve only read his fiction, not his plays … love those trilogies. What a great writer he was. I suppose I should read the plays, eh?

Michael Kaulkin says:

Yeah, I’m only just getting familiar, myself. I’m now reading A Mixture of Frailties of “The Salterton Trilogy” and loving it. I will post about it more in depth, because anyone reading a classical music blog will love this book.

As for the plays, Eros at Breakfast is the only one I’ve read so far. You’ll love it particularly if you’re familiar with some of Davies’ preoccupations and idiosynchrasies.


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