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June 20th, 2007

Let’s Start at the End

So I just connected a dusty old hard drive to my shiny new Mac, and found some things I ought to share here.

For starters, here’s my favorite cue from a film score I did a few years ago. This is the very end of Shakespeare’s Merchant. I can’t give you a whole synopsis of The Merchant of Venice here, but for this cue it helps to know that in our version, Antonio is in love with Bassanio. Bassanio has just pledged fidelity to his wife Portia, and that sucks for Antionio. In the second half of the cue, we see Shylock, having been rendered penniless and yarmulke-less due to a court-ordered punishment for his crediting practices. I love the way this cue came together for a lot of reasons.

I will sheepishly mention that this score is an electronic rendering of what is/was hoped to be recorded properly. Also, due to the rather severe letterboxing, I recommend the “full screen” option, which is the square icon to the right of the timeline.

By the way, the this score is available from CD Baby, iTunes and Amazon.

Care to comment?

June 8th, 2007

Back to the Trunk: “Welcome Home”

Time to roll out another song from The Ghost of Wu.

Composed in the summer or fall of 2002, Welcome Home is probably my favorite song from Wu; certainly the one I’m most proud of for both music and lyrics. It’s an ensemble number for womens chorus.

Following a tumultuous journey from her village to the Emperor’s court, Wu is met by gentle chorus of concubines welcoming her into the Emperor’s harem. During the course of the song, they transform her from a simple country girl into an elegant member of their circle.

Audio, lyrics and the score are all right here.

Care to comment?