Four Sidestreets
Posted on Sep 8, 2008
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Filed under: juvenilia, Past Work
When in doubt, haul out the juvenilia… In the course of sorting and packing for a move (more on that another time), I’ve come across a recording of my first-ever public performance. Four Sidestreets (1986) for flute and piano was the result of a set of freshman-year composition assignments. The movements are short and undeveloped, the longest being...
Read MoreUpcoming London Performance
Posted on Oct 15, 2007
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Filed under: American Standard, Announcements, CD, Clarinet, Friends, London, Past Work, Performance
My clarinet/piano piece American Standard will be performed in London next week… Peter Furniss (clarinet) and David Leiher Jones (piano) will be holding a recital to celebrate the recent Clarinet Classics CD release, Time Pieces, 60 years of American music for clarinet and piano. The recital will take place on Wednesday, 24th October at 7:30pm. The...
Read MoreRevisiting the Trunk: "You Must Learn"
Posted on Oct 5, 2007
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Filed under: Musical Theater, Past Work, Sondheim, Wu
Throughout the year I’ve been occasionally posting recordings of songs from my earlier musical The Ghost of Wu. Today’s installment is the song “You Must Learn”, in which an ambitious mother lectures her naïve daughter, a concubine, in the ways of the Emperor’s court. This song is probably the most Sondheim-derivative thing...
Read MoreThis and That
Posted on Jul 6, 2007
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Filed under: Budapest, CD, Current Work, Day to Day, Magyar Vonatkozású, Past Work
It’s been a while since I’ve had anything to blog about, so I thought I’d just check in, in case anyone’s still reading this. Later today I’m shlepping my family to Budapest for three weeks of fun, cake and eccentric conveyances. Someone recently asked if this trip has anything to do with my turning 40. I hadn’t made the...
Read MoreLet's Start at the End
Posted on Jun 20, 2007
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Filed under: Past Work, Shakespeare\'s Merchant, Video
So I just connected a dusty old hard drive to my shiny new Mac, and found some things I ought to share here. For starters, here’s my favorite cue from a film score I did a few years ago. This is the very end of Shakespeare’s Merchant. I can’t give you a whole synopsis of The Merchant of Venice here, but for this cue it helps to know that in...
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